
Wednesday, February 20, 2008
Brits, Anyone?

BOOKS, ANYONE?
' SLAM' by NICK HORNBY, I just read it in one sitting and thoroughly enjoyed it, as I have everything by him.
You all know of course 'HIGH FIDELITY' which is our group biography, if not, 'get thee to a library!' And if you've got adolescent kids, count them in as well. Oh, and then there's '31 songs' another one written specifically for this audience, here's a brief comment:
Original, well written and wholly lacking in pretension … as good a book about pop music as I have read in many years and the most accomplished of Honby's books so far'
Spectator
"'A book about the joy of listening to great pop songs, about the elusive genius of a catchy chorus ... what shines most is Hornby himself - his wry self-awareness, his disarming honesty. Effortlessly readable, every chapter reminds us how special an observer of human behaviour Hornby is"
Heat
here's a couple of links: http://www.guardian.co.uk/theobserver/2003/jan/19/featuresreview.review
http://www.penguin.co.uk/static/cs/uk/0/minisites/nickhornby/index.html
Tuesday, February 19, 2008
Oh! To be wanted, to be useful
This song "Evil Bee" by Menomena, has been stuck on repeat on my ipod, on my stereo, on my mac endlessly and endlessly and endlessly.
Monday, February 18, 2008
Barry Adamson
(I'm having the same problems as DsD with podbean titles, so TMWTGA is track 1 and the others are The Big Bamboozle (also nominated this week) and his entertaining jazzed up take on the Bond theme (someone really needs to get him to do a Bond soundtrack sometime))
Weapons of mass distraction
HERE'S A THOUGHT...
Take this week for example, there's 32 songs listed from Podbean and Deezer: there's only 5 comments.
Youtube has a better batting average, there's 7 videos with 14 responses.
I doubt that this shows disinterest but it would be nice if there was a system that at least showed activity at a musical posting, which were getting played etc. Is that a possibility? Any other thoughts or ideas?
Sunday, February 17, 2008
Helping With Year 1 Homework - An Appeal
So when DarceysSis came home from school and said "Dad, we're doing Pavarotti at school" I -
(i) resisted the obvious necrophilia joke - she is only six!
(ii) realised I wasn't going to be much help.
Apart from a dodgy version of Nessun Dorma, the only track I own with Signor Pavarotti's powerful tenor on is this one, from the Passengers (U2/Eno) soundtrack:
She loves this, so much so it has become something of a bedtime comforter when she can't sleep (no jokes, please, I'm serious).
What I need is an introduction to opera for both of us: something with individual tracks short enough to hold the attention of a child whose other current obsession is High School Musical, but powerful enough to appeal to a bloke whose normal fare ranges from Mark Hollis' minimalism to wall-of-sound guitar powerchords. If it is specifically by the recently-deceased ex-goalkeeper, so much the better.
To reveal the full extent of my ignorance, and curiosity, below are the only other two songs with vaguely operatic vocal contributions that I (know I) own. I absolutely love'em both.
Give me some tips please, even if it is for compilations an opera-loving purist would find cheesy. I've decided this is the opportunity to travel a new road!!
Thanks.
soundtrax
*UPDATE* I just tried saving the first film as CD-Rom quality (15 fps instead of 12) And it didn't take much longer, but I think it looks much much better. So I've replaced it, and here's the new version...
MY MOVIE THEMES
1. 'The Overture' by the Who - Tommy.
2. The love theme by Nino Roto - The Godfather trilogy.
3. Adagio for Strings and Organ by Tomaso Albinoni - The Trial.
4. Cavalleria Rusticana by Mascagni - Raging Bull.
5. Lark Ascending by Vaughn Williams - don't know the film.
6. In Paradiso by Gabrielle Faure - The Thin Red Line.
7. Smile by Charlie Chaplin. - Modern Times
8. Theme music from Modern times by Charlie Chaplin.
20th century Chopin
Bill Evans: a selection of film and show themes..
Starting with the incredible "Spartacus". Always looking for near-telepathic understanding among the members of his trio, Evans dispensed with bass and drums and overdubbed himself twice to produce an exquisite rendition of this ballad. From the 1963 album "conversations with myself". An extraordinary experiment in improvisational composition.
The following three tracks are from his last recordings at Keystone Corner in San Francisco, only days before his death. It defies belief to think that at the time of these recordings he was a very sick man, severely damaged by heroin and cocaine use, beset by personal tragedy. The liner notes include a quote by Keystone owner Todd Barkan: "Like what you see before a light bulb goes out-that extra-bright incandescence".
Theme from M*A*S*H, a storming performance.
My Romance, the show-tune by Rodgers and Hart. The 3 minute intro alone probably outside the capabilities of any other pianist.
Days of wine and roses. Mancini's ballad given an uptempo treatment, the trio with Marc Johnson's bass and Joe la Barbera on drums is particularly brilliant here.
Saturday, February 16, 2008
Scores of scores

I had forgotten this:
Love the chimey way the guitar sounds.
And it's up the red carpet for...FP's film music playlist
Now going up the red carpet is not all it's cracked up to be. You actually feel a bit of a dork. You are very aware of how you walk and hold yourself, how well you can walk in those heels...not! And you know that if you trip up, given that the world's cameras are trained on you, you will end up on every joke show from here to Vladivostok. Gulp! it just makes you realise that being an actress in the public eye is a job - it's hard work. They have to learn how to hold themselves, pose on the red carpet, give dazzling smiles to the camera and generally look faaaabulous even when they're feeling like five kinds of sh_te. I do not envy them. Film composers are less in the public eye, though. I wouldn't recognise Danny Elfman if he head-butted me. However, this week's blog has just underlined what a vital contribution they make to the final result and how, indeed, some film soundtracks have outgrown the film and taken on a life of their own. Aaaaaand the FP nominations for the best soundtrack are... Friday, February 15, 2008
Fat Jack Bond's Theme
Fat Albert Rotunda, Herbie Hancock
Right off, Miles Davis, from A tribute to Jack Johnson. An edit from the original masters.
Space March, Leftfield's remix of..
Capsule in Space, by John Barry. So that's what it sounds like when one spaceship swallows another.
To end with, Sheva by Goran Bregovic from Underground. Especially for Frogprincess.
(Podbean removed)
80's soundtracks were mostly bombastic orchestrals, rock anthems, pop songs or hip-hop influenced synth workouts- I preferred the latter, and Harold Faltermeyer's themes for Eddie Murphy and Chevy Chase were two of the best... I had these tracks on a loop as a 15 yr old and revisiting them has been a pleasure..
The Insurance Company, by Isaac Hayes
Love the way it starts, with that distorded piano, then the beat comes in, then the horns, and then the wah-wah saxophone that first comes in little spurts and then a solo.
Podbean is too slow, so I'm back on the old yt.
Subway to Sally!
No, what matters in Bundesvision is regionalism. The competition is organised around the different Lander, each of which selects its own local heroes, and it's a fascinating insight into regional taste (or lack thereof): grunge from Bremen, goth (with accompanying ballet) from Sachsen-Anhalt, soul-hip-hop-Spice Girls from Nordrhein-Westphalen, piss-poor rap-funk from Leipzig, and a Mittelalterrock-Folk-Metal-Truppe from Brandenburg singing an epic about (I think) noble Germanic seafarers returning to Kiel. Yes, they won.
www.youtube.com/watch?v=KAtEMy1chB0&feature=related
Wouldn't 'Song For Europe' be so much more fun if it pitted, say, Portishead against Dizzee Rascal against some goths from Leeds, all for the honour of the region, rather than the current desperate attempt at combining vague credibility with a chance of winning?
Persuasion
Thursday, February 14, 2008
That age old Valentines story

Name that Sample
Here's Paris Tokyo, Lupe Fiasco...
Here's San Juan Sunset by Eumir Deodato...
Wednesday, February 13, 2008
Downloading Video with Firefox
In the jingle-jangle morning
Me'n'Bob set out for work this morning, and I wondered whether the bit of foam I'd found in the cupboard would cushion the camera against the engine noise. Seems to work!
Iron & Wine
Tuesday, February 12, 2008
Laura Marling update!
Monday, February 11, 2008
Sunday, February 10, 2008
new linkety link
If only it was called Thou Shalt Always 'Spill...
Some songs with sex
In the Mood for Love?
Just staying with the subject of sexy music for the moment, I've just watched the two Wong Kar Wai movies, In the Mood for Love and 2046 which are both incredibly sensual. The first is full of repressed longing and the second a rather sad but very sexual search for real love. I saw Wong Kar Wai out for an early morning stroll in Cannes. No minders, no entourage. Just out for an early morning constitutional along the shore in his black leather jacket. Which I thought was cool. The soundtracks are an eclectic mixture of opera and music from the 60s. Thought I'd share two very very sexy pieces of music from the two soundtracks with you: the theme from In the mood for love and Siboney by Connie Francis. Anyone like his movies? You're gonna have to step over my dead body before you walk out that door
this song is called "no wow", and is one of my favourite kills songs.
Another twist on Marvin...
Marvin Gaye & Gare du Nord - You're my medicine
...you might recognize a well-known song in this one....
BOB MARLEY & THE WAILERS LIVE AT THE ROXY, 1976.
That afternoon I met my friend Ron and told him my tale of woe, "Hey no problem, you should speak with so and so, she's married to the guy who owns the Roxy, she used to be my room mate, I'll give her a call" About 5 minutes later my phone rang, it was she, calling from Spokane; "Hi, Ron tells me you want to see the Marley concert, how many tickets do you need?" Oh God, I almost fell off the chair, "Could I get two" I tentatively asked, "No problem, I'll have them put your name at the will-call window for all-access, and would you like tickets for Pauley as well? This was too much, "I'd love it you could do it" "No problem she said, "You'll have two on the guest list there with all access". I don't remember what I spluttered at that point, I was probably just babbling inanities.
The big day arrived, I drove to Hollywood and parked right across the street from the Roxy, there was a huge crowd totally blocking the sidewalk and access to the box office. In those days I carried my camera gear everywhere, a bag with at least a couple of Nikons and several lenses etc. When I finally got to the will-call window it was exactly as she'd said it would be, two all access passes, but when I got to the entrance a guy who looked like a professional football player said "No Cameras or recorders period, no exceptions" I showed him my passes, "Did you hear what I said, No Cameras!" Damn, now I had to go back through the crowd to the parking lot and stow my gear and when I returned the crowd was so big that I thought I might never reach that door again, but I finally did and when I entered there was space at a table about 10 ft from the stage. It's a small club and it was packed; I immediately saw why it was a closed event, everybody who was anybody in the music business in LA was there, I saw Lennon, Dylan, CSN, Joni, the entire audience were music personalities!
The lights went down and the band started playing behind closed curtains and this went on for several minutes with the crowd getting more excited and noisy by the minute: Tony G, Bob's local man in LA did the intro's, " Well Rastafari, peace and love in the South, I and I would like to introduce, direct from Trenchtown Jamaica, what we call the Rastaman Vibration, Bob Marley and the Wailing Wailers" and with that the band switched into Trenchtown Rock and it was underway! The crowd went nuts, the Wailers had never played so well. An amazing concert, definitely the best I was ever at and the bonus was being back stage in the dressing room afterwards!
At some point shortly thereafter Junior Marvin gave me a board check cassette of the show, I treasured it and played it constantly, every year on air I did a BMW special and it was always included. I had dozens of board tapes from lots of the live shows but that one was exceptional. And then in 2003, twentyseven years after the event Tuff Gong/Island records released it on CD, actually a double "Bob Marley & the Wailers Live at the Roxy.
The most amazing part of the concert was the encore, the Wailers came back on stage and did a 30 minute set that was unbelievable, they and Bob played Get up, Stand up, No more Trouble and War in a manner never heard before or since, they were transported. It was spectacular, here it is, it's a 24 minute cut, I suggest that you just hit play and turn the volume all the way up.
So if Marvin is too obvious, here's a twist ...
Powered by Podbean.com
Dorian had a bit of a plea in this week's header to not just give him clichéed Marvin Gaye nominations. What was the first thing I gave him??
[Sigh!] - Me & Our Guru ain't getting along too well at the moment!
So here's the song most likely to get me back on the blog before Monday's cut-off: it's still Marvin, but with a rock head on.
I know Blimpy loves this, but what about the rest of you?
Saturday, February 9, 2008
Deezer Virgin's First Time
Shagadelic Baby! FP's Sexy-Time playlist
I hereby decline responsibility for any bedroom injuries sustained whilst listening to this list. I do not envy Dorian. My initial deezer list has about 40 songs in. Just shows that music really IS the food of love, eh? Anyway, I wish you all a Very Happy Valentine's Day and please note that I've thoughtfully left the quiet song for the end and the post-coital cigarette. Friday, February 8, 2008
Tell me that you wanna scold me
'Spill seduction
Chameleon, Herbie Hancock's Headhunters
Black Satin, from Miles Davis' On the corner
Cotton wool, by Lamb. Fila Brazillia remix.
You're no pimp and I'm certainly no whore, Kip Hanrahan's Tenderness
Sextetu by Astor Piazzolla
(I removed the player, please mail me if desperate to hear any of these tracks)
Circe by Ursula Rucker, Jazzanova remix.
Thursday, February 7, 2008
The First Exciting Newness Of 2008
A few props
This is a reshoot and inevitably seems less spontaneous, more selfconscious...but something went wrong with the first effort and I had to edit it; then it wouldn't save in the right format. Sigh.
I did try steenbeck's in-car version but my car is a diesel and I didn't like the engine noise.
Wednesday, February 6, 2008
A new trick up our sleeve
Click here for Songerize.
Some fine new music....

...can be found here for free, tracks include new songs from British Sea Power, Bob Mould, Ida and the fabulous Dub Trio!
Tuesday, February 5, 2008
THIS IS WORTH CHECKING IF YOU'RE MUSICALLY CURIOUS.
Steve Reich: 'Music for 18 (Cornfed) Musicians'
Weekend Edition Sunday, February 3, 2008 - Now more than three decades old, Steve Reich's Music for 18 Musicians has become an icon of 20th-century American music.
At almost an hour in length, the piece unfolds like a slowly shifting dream, with sections of repeated material ebbing and flowing around a cycle of 11 chords. It's scored for strings, percussion, woodwinds and voices, and takes tremendous concentration on the part of the 18 players. To this day, the work is mainly performed by the composer and his loyal group of musicians.
It took courage, then, for a group of players at a small Midwestern college (not known for its music department) to mount a performance of Music for 18 Musicians — not just for their own amusement, but to play at the high-profile Bang on a Can Festival in New York City.
Under the direction of Bill Ryan, the New Music Ensemble at Grand Valley State University — amid the cornfields of western Michigan — practiced the music for nearly a year. Ryan recalls a mixed response when he first announced the idea to his students.
"A few people couldn't wait until I finished my sentence before they wanted to sign up; they knew the piece. But a few didn't know who Steve Reich was." Rehearsals were tough going, initially, but Ryan says he saw a breakthrough eventually.
"We had been looking at the work for about six weeks, and there were moments in the rehearsal where I started to see the players come out of their own parts — relaxing, looking around, using their ears, listening to parts that were happening across the room. I knew then that our concert would be fine."
Ryan and five members of the ensemble flew to New York to watch Reich's ensemble perform the piece and strategize with them about how to play it.
All the hard work came to fruition last spring, with Ryan and his ensemble playing Music for 18 Musicians early in the morning at the Winter Garden Atrium.
"It was magical to see my ensemble in that environment," Ryan says. "Here we are, this group from the middle of the Midwest that no one had ever heard of, playing at this significant new-music event. It was just glorious to see the sun come up as we were finishing the piece."
Their performance charmed the critics. Alex Ross of The New Yorker wrote the group "succeeded in holding 400 listeners transfixed at 4 a.m."
Ryan and his New Music Ensemble have documented their long journey into Reich's Music for 18 Musicians with a new surround-sound recording of the piece.
Steenbeck, we're cutting you off...
And it came from this....It's Eddie Kendricks, and when Kweli said he was a big favorite of Nina Simone as well, I knew it was something I needed to explore.
In the liner notes for Talk to You, Kweli said that he'd love to invite people home to share his favorite music, but since that's not possible, he'd share his version of it, hoping you'd discover the original. It seemed like such an RR sentiment. And then I was listening to Cymande (and loving it) and connecting it to De La Soul, and I was hoping we could get a thing going where people could share things they've discovered based on other music. It doesn't have to be hip hop--I discovered Mikey Dread because of the Clash...the possibilities are endless.
Monday, February 4, 2008
THESE REALLY ARE SOME OF MY FAVORITE THINGS!


Last week I posted several songs by women singers, I listed them as some of my favorites: THESE are my REAL favorites, these are magical! The main difference is that none of these are in English which means that I don't understand a word by any of them but that matters not, I don't understand Callas or Three Tenors or Radiohead either for that matter, but they all have the ability to sound wonderful. There are eight selections here which range from Brazil to Portugal to South Africa, to Zaire to Ethiopia, they're all fairly recent [to me] CD's. I hope that you enjoy them as much as I have. In sequence they are:
1. Vulidela by Brenda Fassie from S. Africa.
2. Noite de Temporal by Virginia Rodriguez from Brazil.
3. Aba Alem Lemenea by Ejigayehu Shibabaw from Ethiopia.
4. Tshikunda by Tshala Muana from Zaire [Congo]
5. Toada Do Desengan by Mariza from Portugal.
6. Izinziswa by Busi Mhlongo from S. Africa.
7. Lusofonia by Maria Teresa from Portugal.
8. Hoje Eu Quero Sair So by Daude from Brazil.
soundtrack to my life
Here's something I've been thinking about since Blimpy posted a picture of where he listens to music...As a frustrated filmmaker I thought it would be nice to add some motion to it, and use the music as a soundtrack, if you will. I made up some rules for myself--1) It should be about a minute long; I'm not trying to make a music video, 2) no editing, limited camera movement, no manipulation of sound, One long shot, 3) I can't pick a song for effect, it has to be whatever we happen to be listening to at the time.
I chose the old film-school standby of a traveling shot from a car--clichéd, I know, but it happens to be where I most like to listen to music lately. So here it is, a ride through the bleak mid-winter countryside.
I'm hoping others will do this too, make your own rules.
Sunday, February 3, 2008
chin up
Not cyclamen, but...


There's no way to post a pic in a comment (to tfd's 'hoped for cyclamen'), so a new entry needed to share my "garden" i.e. my balcony. I like to pretend it's summer all year (never wear anything but shorts or light trousers, short sleeve shirt or a tee). To maintain that fiction in the face of evidence to the contrary, I have enlisted one or two plant world freaks - winter flowering plants that look like summer ones. This one (a euryops, taken about 10 days ago) is best in class, but can only manage in the weather-for-softies that we get here in the west country. A bit to the left is a senetti that is flowering its heart out, despite being a summer plant. Most amazing of all, the agapanthus between them has huge buds! Having said that, I envy tfd the lovely heather and snowdrops of a 'proper' garden.
Oh I can't be arsed to cook - Pork filet in roquefort sauce
So we've woken to the news that 'Nicholas' and 'Carla' got married. Well congratulations. She'll be the best looking President's wife in Europe and the one with the best voice too. So we're doing OK there. Coming back to Nilpferd's request for meaty dishes, here's a very quick and nice one for nights when you just Can't. Be. Arsed.- If you have a pork filet - slice it up 1 cm thick slightly diagonally to make 'medallions'
- Cook the meat through in a little oil (salt n pepper)
- Remove from pan and put on plate
- Add more oil if needed and gently fry onions till soft
- Pour in one glass of white wine. Drink other two with Mrs Nilpferd
- Let that sizzle for a minute
- Cut up the cheese into cubes and add to pan - stir in till it melts.
- Add the stock and let sizzle for 1 minute.
- Add the cream and simmer until it's thick enough - about 2 minutes.
- Put the meat back in the pan just to heat it through not to cook it - it's already cooked and don't forget to add the juices that have collected at the bottom of the plate on which you put the meat.
Nice with mash or rice. Guten Appetit zusammen!
Saturday, February 2, 2008
HOW IT ALL BEGAN.
I was about 14 in 1948, I went to Woolwich Polytechnic High School, I remember one day standing in a classroom before class and there were 3 other students close by. One of them, his name was Umanski, was telling the other two in a most excited and passionate manner about someone he'd discovered called Louis Armstrong, the name meant nothing to me but I was so intrigued by his passion that I made a point of finding out who this person was. I bought a book called 'Jazz from Congo to Swing' by Robert Goffin, it was probably the first book I ever bought, I've still got it, complete with my underlinings and scribbled notes.
This was immediate post war England, BBC had only two channels and neither played jazz, well one had a 30 min program once a week but that was all. Fortunately for me there was, less than 100 yards from the school entrance, a record shop that sold exclusively jazz records, it was run by a trad jazz trumpeter called Owen Bryce. Once I'd discovered who Louis was I haunted that place every lunchtime, there were always New Orleans jazz records playing so I'd hang out there.
That's how it all started for me: what got you lot going?
Hoped for cyclamen, but no luck
Tea and Sympathy - FP's consolation playlist
Friday, February 1, 2008
Walk tall, try harder and take a bath
Three contrasting tracks, plenty of good advice for those in need..
- Esther Marrow's tough, gospel-soul version of Joe Zawinul's Walk Tall.
- Sidsel Endresen and Bugge Wesseltoft's quiet but inspiring "Try".
- G.W. Mclennan's "Bathe in the waters".
(Podbean player removed, let me know if you want to hear the tracks.)
Apple's First Ever Mac Commercial
gordonimmel's Spicy Potatoes

Call me, I make you happy
"Don't worry, Be Happy" by Bobby McFerrin really does work! I fell so positive after watching the video! Try it!
There was a rumour a while ago that Bobby McFerrin committed suicide, which would have been the ultimate irony, had this been true.
However, according to the internettles, there is a real life counterpart to this rumour, as in 1942, the chap who wrote "Pack Up Your Troubles In Your Old Kit Bag and Smile, Smile, Smile" took his own life by shooting himself in the heart, whilst wearing his old army uniform.








